Hana Blažíková / Bruce Dickey / The Breathtaking Collective
»On the Breath of Angels« – Das Alte Werk
Heavenly affinities in sound
Angels playing music were an extremely popular motif in the Renaissance – often, the heavenly figures sing accompanied by the cornet, an early brass instrument. Cornet virtuoso Bruce Dickey and soprano Hana Blažíková now trace the celestial tonal affinity of voice and instrument, accompanied by the Breathtaking Collective, with such enchantingly beautiful and highly virtuoso music of the 17th century.
Bruce Dickey has completely dedicated himself to rediscovering the cornet. Today, largely disappeared from concert life, the wooden, in most cases crescent-shaped, instrument with a mouthpiece similar to those on trumpets was incredibly popular in the 16th and 17th century, especially in combination with singing. Like a second voice, the cornet ornaments the clear soprano of early music star Hana Blažíková, gets into sensitive dialogue and vies for the most splendid coloraturas and flourishes.
The singer and cornetist, both of whom are regularly on stage with the greats of historical performance practice, such as Sir John Elliot Gardiner, Ton Koopman and Jordi Savall, have put together a fascinating selection of secular and sacred pieces for »On the Breath of Angels«. Accompanied by strings, theorbo, organ and harpsichord, dramatic operatic arias and intimate movements from motets sound. »Breathtaking listening experiences!« enthuses a reviewer of the related album. After this concert, one wonders how and why the cornet could have fallen so much out of fashion.
Performers
Hana Blažíková soprano
Bruce Dickey cornetto
The Breathtaking Collective
Programme
»On the Breath of Angels«
Carlo G
Panis angelicus / aus: Carlo G Manuskript
Mater Hierusalem / aus: Carlo G Manuskript
Ascanio Trombetti
Emendemus in melius à 5 / Motetto passeggiato
Sigismondo D'India
Dilectus meus
Langue al vostro languir
Francesco Cavalli
Sonata a 3 / aus: Vespro della beata Vergine
Carlo G
Sicut sponsus matris / aus: Carlo G Manuskript
– Interval –
Giacomo Carissimi
Summi regis puerpera
Julian Wachner
The Vision of the Archangels
Giovanni Battista Bononcini
Sinfonia
Giovanni Maria Bononcini
Sonata a 5, Op. 6 / aus: Sonate da chiesa a due violini
Alessandro Scarlatti
Non pianger solo dolce usignuolo / Arie der Rosinda aus »L’Emireno overo Il consiglio dell’ombra«
Senti ch’io moro / Arie der Rosinda aus »L’Emireno overo Il consiglio dell’ombra«
Labbra gradite / Arie des Emireno aus »L’Emireno overo Il consiglio dell’ombra«
Artists in Conversation
with Bruce Dickey and Vincent Dahm (in German)
19:00 / Laeiszhalle, Großer Saal
Promoter: HamburgMusik
Supported by Stiftung Elbphilharmonie
Location
:
Laeiszhalle
Großer Saal
Since 1908, the Laeiszhalle has been a meeting place for Hamburg's musical life. The neo-baroque Laeiszhalle Grand Hall accommodates over 2,000 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
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Cloakrooms
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
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Toilet Facilities
Facilities for ladies are located behind the cloakrooms on all floors. Facilities for gentlemen can be found on the landing between the floors, also located behind the cloakrooms.
A fully accessible toilet for persons with mobility disabilities is located behind the cloakroom on the ground floor (Parkett links).
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Getting here & parking
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 HamburgThe Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: StephansplatzStadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
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Laeiszhalle is not at the Elbphilharmonie
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
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Arrival time
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the eventEvents with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talkIf a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
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Accessibility
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
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Photography and video recordings
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.

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