Ensemble Resonanz / Tabea Zimmermann
Works by Franz Schubert, Paul Hindemith, Grażyna Bacewicz and George Enescu
Late Romantic
Free, expressive and visionary: Ensemble Resonanz places at the centre of this spectacular evening with great chamber music a stroke of genius by a 19-year-old – George Enescu’s Late Romantic string quartet in the version for string orchestra. Tabea Zimmermann’s exceptional talent as a viola player is combined with visionary music for strings.
At the turn of the last century, George Enescu was working »as nervously as an engineer« on the »first suspension bridge spanning a river«. Looking back to the Romantic era, but still making great leaps in new directions, he combines Rumanian folk music, French Impressionism and the German Romantic tradition in his String Octet to form a complex amalgam of lively passages and melancholy moments, of rhapsody and whirling waltzes. A piece of visionary music for strings –heard here in the version for string orchestra – that works itself up into a true frenzy.
Enescu has the synthesis of different styles in common with Poland’s »First Lady of music«: Grażyna Bacewicz’s late Divertimento is a firework display of musical ideas. Paul Hindemith in turn writes moving and beautiful music marking the death of the king, in which the viola plaintively stands out – Tabea Zimmermann explores the depths of Hindemith’s compositions here with much subtlety. And the concert opens with Franz Schubert writing in the spirit of Rossini.
Programme (booklet)
Performers
Ensemble Resonanz
Tabea Zimmermann viola and director
Programme
Franz Schubert
Ouvertüre für Streichquintett c-Moll D 8
Grażyna Bacewicz
Divertimento für Streichorchester
Paul Hindemith
Trauermusik für Viola und Streichorchester
– Interval –
George Enescu
Oktett für Streicher C-Dur op. 7 / Bearbeitung für Streichorchester
Promoter: Ensemble Resonanz
Location
:
Laeiszhalle
Großer Saal
Since 1908, the Laeiszhalle has been a meeting place for Hamburg's musical life. The neo-baroque Laeiszhalle Grand Hall accommodates over 2,000 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
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Cloakrooms
Walking-stick umbrellas, handbags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks, luggage and other bulky items must be checked in at the cloakroom. Wheeled walkers may be stored at the hall entrances.
Jackets or coats and small handbags may be taken into the hall.
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Toilet Facilities
Facilities for ladies are located behind the cloakrooms on all floors. Facilities for gentlemen can be found on the landing between the floors, also located behind the cloakrooms.
A fully accessible toilet for persons with mobility disabilities is located behind the cloakroom on the ground floor (Parkett links).
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Getting here & parking
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 HamburgThe Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: StephansplatzStadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
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Laeiszhalle is not at the Elbphilharmonie
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
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Arrival time
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the eventEvents with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talkIf a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
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Accessibility
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
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Photography and video recordings
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.

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