Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Vivaldi
A magnificent orchestra, an acclaimed soloist, a passionate maestro—and one of the most famous works in music history: With »Farinelli Baroque Vivaldi,« the Polish Art Philharmonic invites you on a musical journey through time into the world of the Baroque—virtuoso, emotional, and surprisingly timeless. Under the baton of Michael Maciaszczyk, the orchestra presents a two-part program that brings the magic of the 18th century to life.
At the heart of the first part of the program is one of the most dazzling figures in music history: Farinelli, born Carlo Broschi. In the 18th century, he was a European superstar, celebrated at courts from London to Madrid. His extraordinary voice, with a range of more than three octaves, inspired composers such as George Frideric Händel to write virtuoso arias. Farinelli, however, was more than just a singer—he was a projection of longings and a symbol of an era caught between artistic freedom and personal sacrifice. His career tells a story of fame, loneliness, and the overwhelming power of music.
This historical figure is given a modern voice in Hamburg: coloratura mezzo-soprano Aleksandra Opała. The internationally sought-after singer is regarded as a specialist in the Baroque and bel canto repertoire. Her interpretations are technically brilliant and, at the same time, emotionally nuanced. »This music demands absolute devotion,« says Opała. With expressiveness and vocal precision, she breathes new life into the arias.
After the intermission, Antonio Vivaldi’s famous »Four Seasons« (Le quattro stagioni)—one of the most frequently performed works in classical music—will be performed. Serving as both violinist and conductor, Maciaszczyk shapes the work with a special closeness to the orchestra. »The seasons are like a musical mirror,« he explains: »Everyone hears their own memories, moods, and hopes in them.« The ensemble’s goal, he says, is to build bridges—between past and present, between connoisseurs and the curious. The special atmosphere of the Laeiszhalle provides the ideal setting for this. So we can look forward to a concert that impressively combines Baroque operatic passion and orchestral timbres. Or, as Maciaszczyk puts it: »If people go home after the concert with sparkling eyes, then we’ve done everything right.«
Polish Art Philharmonic
Aleksandra Opała mezzo-soprano
conductor Michael Maciaszczyk
Baroque arias from the era of Farinelli, George Frideric Handel, and Antonio Vivaldi
– Interval –
Antonio Vivaldi
Le quattro stagioni (The Four Seasons), Op. 8
Promoter: Dirk Kamella Event- und Kulturmanagement
Chamber music series, lieder recitals, children's concerts and jazz events seem to be made for the Recital Hall of the Laeiszhalle, which can accommodate up to 640 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Facilities for guests of the Recital Hall are located to the right of the hall entrance. Barrier-free toilets are also available.
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 Hamburg
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: Stephansplatz
StadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30
Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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