Xuefei Yang, guitar
»X Culture«
Pioneer with an international career
»Temperamentvolle Virtuosität, tadellose Technik, einfühlsame Musikalität«, so schwärmt die New York Times von der chinesischen Gitarristin Xuefei Yang. Die Musikerin ist eine echte Pionierin der Gitarrenwelt: Sie war eine der ersten, die nach der chinesischen Kulturrevolution (einer Zeit, in der westliche Instrumente und Musik in China verboten waren) als klassische Gitarristin von Peking aus eine Weltkarriere startete. Als sie mit 14 Jahren das erste Mal in Madrid auftrat, im Epizentrum der Gitarrenwelt, kam der Komponist Joaquín Rodrigo höchstpersönlich, um sie zu hören. Heute hat sie Konzerte in über 50 Ländern gespielt, ist nicht nur eine vielbeachtete Virtuosin, sondern erweitert auch das Gitarrenrepertoire beständig mit neuen Arrangements und Auftragswerken – so auch in ihrem neuen Projekt, das sie in der Elbphilharmonie vorstellt: »X Culture«.
»X Culture ist eine Hommage an die Vielfalt und ein Zeichen für die Kreativität, die entsteht, wenn man sich anderen Kulturen öffnet«, so Yang. In den Werken, die sie auf dem gleichnamigen Album von 2023 zusammengetragen hat, verschmelzen jeweils verschiedene Kulturen: So beschwört etwa der italienische Komponist Carlo Domeniconi in »Koyunbaba« eine geheimnisvolle türkische Klangwelt herauf, es gibt europäische Komponisten, die sich von Fernost inspirieren lassen (Steve Goss: »Chinese Garden« oder Mark Houghton: »Dance of the Orient«), andersrum schöpft Tan Duns »Seven Desires« aus der Klangwelt des spanischen Flamencos. »Das Album spiegelt meine eigene interkulturelle Reise wider«, sagt Yang. Dabei ist es ihr seit jeher ein Anliegen, die westlichen Vorstellungen von »klassischer« Musik auch um chinesische Traditionen und Klänge zu erweitern. Mit Arrangements von chinesischen Volksliedern eröffnet sie folglich auch ihr Elbphilharmonie-Konzert.
Performers
Xuefei Yang guitar
Programme
»X Culture«
Traditionell
A Moonlit Night on the Spring River / Bearbeitung für Gitarre von Xuefei Yang
White Snow in the Spring Sunlight / Bearbeitung für Gitarre von Xuefei Yang
Stephen Goss
The Chinese Garden
Tan Dun
Seven Desires für Gitarre (Auswahl)
Carlo Domeniconi
Koyonbaba Suite, Op. 19
– Interval –
Leo Brouwer
Hika / In memoriam Tōru Takemitsu
Ryūichi Sakamoto
Merry Christmas, Mr. Lawrence / Bearbeitung für Gitarre von Hirokazu Sato
Changjun Xu
Sword Dance / Bearbeitung für Gitarre von Xuefei Yang
Mark Houghton
Dance of the Orient
Nikita Koshkin
Usher Waltz after Edgar Allan Poe
Jiří Jirmal
Baden Jazz Suite
Promoter: HamburgMusik
Location
:
Elbphilharmonie
Kleiner Saal
The Recital Hall, designed in contrast to the Grand Hall in the classic »shoebox« style, offers seating for up to 550 people.
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Arrival time
The Elbphilharmonie is a special building situated in a special place. Allow for plenty of time for getting to the Elbphilharmonie and the way to the concert area. We suggest visitors arrive at the Elbphilharmonie Plaza not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
Concert tickets for the Grand and Recital Halls authorise a visit to the Plaza from two hours before the start of the concert or event. Visitors to the Kaistudios require a separate Plaza ticket to visit the Plaza.
Admission times:
Events without pre-concert talk:
Recital Hall Foyer: 60 minutes before the start of the event
Recital Hall: 30 minutes before the start of the eventEvents with pre-concert talk:
Recital Hall Foyer: 90 minutes before the start of the event
Recital Hall: 15 minutes before the start of the talkIf a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
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Finding your seat
All visitors enter the building via the main entrance; access to the concert hall is via the Plaza, the public viewing platform on the 8th floor of the Elbphilharmonie. The Plaza can be reached from the entrance area via the Tube (long escalator) or lifts. Your tickets will be checked twice: at admissions in the main entrance area and on the Plaza in front of the staircase to the Grand or Rcital Hall. Stairs and lifts lead from the Plaza to the concert hall foyers.
The Recital Hall is situated on the 10th floor and can be accessed via a stairway or lift.
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Cloakroom
The cloakrooms are located in the foyer (fee: € 2). Jackets and handbags may be taken into the hall.
Walking-stick umbrellas, bags sized A3 (42 x 30 cm) or above, luggage and other bulky items must be stored in the lockers (largest size 27 x 87 x 47 cm) located in the corridor leading to the ticket shop on the ground floor (on the right-hand side of the entrance area).
Strollers and prams can be left with the admissions personnel on the Plaza. Wheeled walkers can be handed in at the hall entrances.
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Toilet Facilities
Facilities for guests of the Recital Hall are located in the Recital Hall Foyer.
An accessible toilet is located in the foyer.
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Photography and video recordings
It is forbidden to take photographs or record videos during a concert or event. Video recordings and photography are permitted for private purposes only on the Plaza and in the foyers as well as before the start or following an event in the concert hall, provided that you respect the privacy of other visitors and do not interfere with regular business operations. Employees may not be photographed or filmed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie.
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Getting here
Elbphilharmonie Hamburg
Platz der Deutschen Einheit
20457 HamburgThe Elbphilharmonie can be easily reached by bus, underground, bicycle and ferry.
The nearest stops include:
Underground line U3: Baumwall
Underground line U4: Überseequartier
Bus 2, 111: Am Kaiserkai (Elbphilharmonie)
Bus 6: Auf dem Sande (Speicherstadt)
Ferry 72 (from Landungsbrücken pier): »Elbphilharmonie« pier
StadtRAD (bicycle sharing system) stations: U Baumwall (Elbphilharmonie) and Am Kaiserkai / Großer GrasbrookMultistorey car park in the Elbphilharmonie (open 24/7, 435 parking spaces):
Please note that visitors to the Elbphilharmonie should use the entrance marked »Elbphilharmonie«. The entrance »Elbphilharmonie Hotel« is reserved for »The Westin Hamburg« hotel guests.Please find more information about prices and advance booking of the discounted flat rate on this page: arrival by car
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Toilet Facilities
Foyers
Toilet facilities are located in the foyer areas of each respective hall.
Grand Hall: The central toilet facility is located on the 13th floor of the Grand Hall Foyer. Further facilities can be found on floors 11, 12 and 15. Fully accessible toilets for persons with mobility disabilities are located on floors 12 and 13.
Recital Hall: Facilities for guests of the Recital Hall are located in the Recital Hall Foyer.
Kaistudio: Facilities for guests of the Kaistudio are located in the Kaistudio Foyer on the third floor.
Plaza
Free public toilets are located on the western tip of the Plaza, adjacent to the Elbphilharmonie Shop, and are accessible via stairs.
Main Entrance
Further toilets are located behind the ticket shop at the main entrance of the Elbphilharmonie.
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Accessibility
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Lifts to the Plaza are located in the tunnel on the right-hand side of the Tube (long escalator). From the Plaza, access to the Grand and Recital Hall foyers is via lifts, also located to the right. Please note: cloakrooms for visitors to the Grand Hall are only located on the 11th floor. From there, the upper floors can be accessed via further lifts.
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Coughing, clapping, chatting – Tips for your concert visit
A concert at the Elbphilharmonie is a unique experience for both audience and artists. Guests and musicians alike rave about the precise acoustics in the Grand Hall. You can hear every note, even from the highest balcony.
Unfortunately, the opposite is also true: even presumably quiet noises from the audience are clearly audible in the entire hall. We therefore ask our visitors to take the following recommendations into consideration: Tips for your concert visit
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