Pierre-Laurent Aimard / »Concord Sonata«

Spotlight on Charles Ives

This concert has already taken place! 10 | 17 | 36 | 52 | 57
This concert has already taken place! 10 | 17 | 36 | 52 | 57
Pierre-Laurent Aimard
Pierre-Laurent Aimard © Marco Borggreve
  • Doors open 19:00

  • Start 20:00

  • Interval

  • End ca. 22:10

Description

To this day, the experiment-loving American composer Charles Ives, who was fond of including everyday noises and functional music in his works, doesn’t necessarily feature in the standard repertoire. The Elbphilharmonie is now devoting a set of five concerts to this unusual composer. The first concert features Ives’s monumental Second Piano Sonata, the »Concord Sonata«, which was long regarded as unplayable. Complex, overlapping rhythms and metres, a collage-like style and quotations from Beethoven make the 45-minute work into a true event – and all the more so when a pianist of Pierre-Laurent Aimard’s calibre is at the keyboard. Adam Walker and Tabea Zimmermann join him in the two outer movements on the flute and the viola respectively.

Performers

Adam Walker flute

Tabea Zimmermann viola

Pierre-Laurent Aimard piano

Programme

Edgard Varèse
Density 21.5

Dmitri Schostakowitsch
Sonate für Viola und Klavier op. 147

– Interval –

Elliott Carter
Scrivo in vento

Charles Ives
Sonate Nr. 2 Concord, Mass., 1840-1860

Subscription

Elbphilharmonie for Connoisseurs 2

Series

Piano Recitals

Festival

Charles Ives

Promoter: HamburgMusik

Supported by Classical Futures Europe and the Creative Europe Programme of the European Union.

During your visit

Elbphilharmonie Plaza

A public viewing platform on the 8th floor of the Elbphilharmonie

More about the Plaza

Food and Drink

Before the concert and in the interval

Find out more

Coughing, clapping, chatting

Tips for your concert visit

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