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Laeiszhalle Hamburg Großer Saal
Thu, 3 Nov 2016 20:00
Hamburger Camerata / Ralf Gothóni
Was macht Don Quixote eigentlich in seinen einsamen Nächten? Diese Frage stellt der finnische Komponist Aulis Sallinen in seinen »Nächtlichen Tänzen des Don Juan Quixote«. Vielleicht träumt er ja von einem Tänzchen mit Carmen. Die ist seit jeher die Verkörperung der Femme fatale auf der Opernbühne. Und damit Carmens feurige Habanera-Rhythmen umso besser zünden, schrieb der russische Komponist Rodion Schtschedrin (*1932) eine Bearbeitung von Bizets klingender Spanienfantasie für Schlagzeug und Streicher.
Arto Noras violoncello
direction Ralf Gothóni
Introduktion und Allegro für Streichorchester op. 47
Kamarimusiikki III (Kammermusik III) op. 58 / The Nocturnal Dances of Don Juanquixote
Carmen-Suite für Schlagzeug und Streicher
Estimated end time
Promoter: Hamburger Camerata
Food & Drink
Along with a wide range of food options, a large and changing selection of wines and the perfect delicacies to go with them are on offer before events and during the interval.More about Food & Drink
Since 1908, the Laeiszhalle has been a meeting place for Hamburg's musical life. The neo-baroque Laeiszhalle Grand Hall accommodates over 2,000 guests.
Cloakrooms are located in the foyer areas. Baby carriages, wheeled walkers, walking-stick umbrellas, handbags larger than DIN A3 (42 cm x 30 cm) as well as sport bags, backpacks and suitcases must be checked in at the cloakroom. If required, wheeled walkers can be parked in the immediate vicinity of the hall entrances. Our front of house staff is happy to assist you in this regard.
Cloakroom fee: €1.50
The accessible entrance to the Grand Hall and Brahms Foyer is located on Gorch-Fock-Wall. The Brahms Foyer is only accessible to folding wheelchairs or wheelchairs under 75 cm in width.
The accessible entrance to the Recital Hall is located at Dammtorwall 46 (Artists’ Entrance). The Recital Hall is only accessible to folding wheelchairs or wheelchairs under 68 cm in width.
Three parking spaces for visitors with disabilities are located at the entrance on Gorch-Fock-Wall. Six parking spaces for visitors with disabilities are available in front of the Artists’ Entrance on Dragonerstall.
All halls and spaces are accessible for visitors with disabilities. The Grand Hall has space for six wheelchairs, while the Recital Hall has space for four wheelchairs (audience seats can be dismounted to make space for two further wheelchair spaces). Space for wheelchairs in the Brahms Foyer is available. Further information
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 4, 5, 109, Schnellbus 34, 36: Stephansplatz
Bus 3, 112, Schnellbus 35, 36: Johannes-Brahms-Platz
City bicycle (Stadtrad) station: Sievekingplatz / Gorch-Fock-Wall
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse, 20355 Hamburg
First 30 minutes: €2.00
First 60 minutes: €4.00
Rate per further hour or part thereof: €4.00
Night Rate (18:00–06:00): maximum €11.00
24-Hour Rate: maximum €30.00
Photography and Video Recordings
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
Smoking is prohibited throughout the entire premises of the Laeiszhalle.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
The foyers of the Grand and Recital Halls open their doors 90 minutes before the start of the concert or event. The bars in each foyer open simultaneously.
Admission into the halls begins 30 minutes before the start of the concert or event; for events offering pre-concert talks, admission into the halls begins 60 minutes before the start of the concert.