Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
For the Love of my Sound
Sie war die erste Musikerin überhaupt, die eine Karriere als Solo-Schlagwerkerin gemacht hat. Sie hat 160 Werke bei den bedeutendsten Komponisten der Gegenwart in Auftrag gegeben und uraufgeführt. Sie hat mit so unterschiedlichen Künstlern wie Bobby McFerrin, Sting, Björk und Fred Frith gearbeitet. Und sie muss die Musik im wahrsten Sinne des Wortes erfühlen, da sie seit ihrer Jugend praktisch taub ist. Eine Ausnahmeerscheinung in jeglicher Hinsicht: Evelyn Glennie.
Dame Evelyn Glennie percussion
Philip Smith piano
For the Love of my Sound.
Nebojša Jovan Živković
Fluctus für Marimba solo
Waterphone Improvisation
Christos Hatzis
Eternity´s Heartbeat
John Psathas
Drum Dances
Antonio Vivaldi
Concerto für Flautino, Streicher und Basso continuo C-Dur RV 443
– Interval –
Sean Beeson
Prometheus Rapture / Concerto for Snare Drum
Leigh Howard Stevens
Rhythmic Caprice für Marimba solo
Roberto Sierra
Los Destellos de la Resonancia
Nebojša Jovan Živković
Quasi una Sonata für Schlagzeug und Klavier op. 29
Zugabe:
John Psathas
Fragments
Nikolai Rimski-Korsakow
Hummelflug / aus der Oper »Das Märchen vom Zaren Saltan«
bearbeitet für Marimba und Klavier
Promoter: HamburgMusik gGmbH
Mit Unterstützung des Freundeskreises Elbphilharmonie & Laeiszhalle e.V.
Since 1908, the Laeiszhalle has been a meeting place for Hamburg's musical life. The neo-baroque Laeiszhalle Grand Hall accommodates over 2,000 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Facilities for ladies are located behind the cloakrooms on all floors. Facilities for gentlemen can be found on the landing between the floors, also located behind the cloakrooms.
A fully accessible toilet for persons with mobility disabilities is located behind the cloakroom on the ground floor (Parkett links).
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 Hamburg
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: Stephansplatz
StadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30
Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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