Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Brahms / Beethoven / Mozart
An iconic opening, an entire universe: Beethoven’s »Schicksalssinfonie« is far more than its famous motif—it is an emotional journey from darkness to light. Mozart’s deeply personal Mass in C minor follows a similar path, standing as one of the most significant works of its kind. Though left incomplete, this remarkable setting of the Mass continues to move audiences today with its direct expressive power. In celebration of the 80th anniversary of the Bergedorfer Kammerchor, these masterpieces come together for a special concert experience. The choir is joined by the Ahrensburger Kammerorchester—a musical partnership that has thrived successfully for over two decades.
Since its founding in 1946 by Hellmut Wormsbächer, the Bergedorf Chamber Choir has had a firm place in the cultural life of Hamburg and northern Germany. The approximately 35 singers are dedicated to secular and sacred choral literature from all eras. The carefully selected pieces ensure a harmonious overall concept that spans each concert.
The versatility and high vocal standard of the Bergedorf Chamber Choir are maintained through regular rehearsals and several rehearsal weekends each year, as well as professional vocal coaching. In collaboration with Frank Löhr, the Bergedorf Chamber Choir is undergoing continuous vocal and artistic development, promising interesting and high-quality choral music.
Frank Löhr studied conducting, piano, composition, and historical performance practice in Hamburg and supplemented his studies with courses with Mathias Husmann (conducting), Bob van Asperen (harpsichord), and Menahem Pressler (piano), among others. He worked as an opera conductor and répétiteur in Bayreuth, Munich, Frankfurt, and Nuremberg and received invitations to Tokyo, St. Petersburg, Annecy, Ascona, Valencia, Milan, as well as to the Jacques Offenbach Festival, the Schleswig-Holstein Music Festival, and the Munich Music Theater Biennale. He owes formative influences to his collaborations with Zubin Mehta, Jessye Norman, Joana Mallwitz, Simon Halsey, Enrique Mazzola, Andrew Manze, Giuseppe Sinopoli, the Israel Philharmonic Orchestra, the Konzerthausorchester Berlin, the Magdeburg Philharmonic, the NDR Vocal Ensemble, the Lüneburg and Hamburg Symphony Orchestras, and the Hamburg Camerata. His work is characterized by the often collage-like combination of different styles with new compositions.
Bergedorfer Kammerchor
Ahrensburger Kammerorchester
Catherina Witting soprano
Fiona Luisa soprano
Michael Connaire tenor
Luciano Lodi bass
conductor Frank Löhr
Johannes Brahms
Schicksalslied for Choir and Orchestra, Op. 54
Ludwig van Beethoven
Symphony No. 5 in C minor, Op. 67
– Interval –
Wolfgang Amadeus Mozart
Great Mass in C minor, K.427
Promoter: Bergedorfer Kammerchor
Since 1908, the Laeiszhalle has been a meeting place for Hamburg's musical life. The neo-baroque Laeiszhalle Grand Hall accommodates over 2,000 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Facilities for ladies are located behind the cloakrooms on all floors. Facilities for gentlemen can be found on the landing between the floors, also located behind the cloakrooms.
A fully accessible toilet for persons with mobility disabilities is located behind the cloakroom on the ground floor (Parkett links).
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 Hamburg
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: Stephansplatz
StadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
24-hour rate: maximum €50
Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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