Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Brahms / Mendelssohn
Mozart is well-known for the comment »He is the father, we are his boys. If we can do anything decently, we learnt it him«. But he was not referring to Johann Sebastian here, but rather to his son Carl Philipp Emanuel Bach, master of the sentimental style, whose Hamburg Symphonies skilfully combined characterful changes of mood with poetic and even heart-rending motifs, very much in the spirit of the 1770s »Sturm und Drang« movement. Another composer known for his liking for Bach was Felix Mendelssohn. The lively opening movement and the stormy outbursts in the allegro of his D minor Violin Concerto, which Mendelssohn wrote in 1822 aged only 13, betray not only the influence of Bach senior, but again that of his son Carl Philipp Emanuel as well. The young composer’s brilliant use of Bachian theme-work and the Romantic magic of the score continue to amaze and delight to this day.
Kammerorchester der Symphoniker Hamburg
director Adrian Iliescu
Carl Philipp Emanuel Bach
Sinfonie für Streicher und Basso continuo G-Dur Wq 182/1 »Hamburger Sinfonie Nr. 1«
Felix Mendelssohn Bartholdy
Konzert für Violine und Streichorchester d-Moll
– Interval –
Johannes Brahms
Streichquintett Nr. 2 G-Dur op. 111 / Fassung für Streichorchester
Promoter: Symphoniker Hamburg
Chamber music series, lieder recitals, children's concerts and jazz events seem to be made for the Recital Hall of the Laeiszhalle, which can accommodate up to 640 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Facilities for guests of the Recital Hall are located to the right of the hall entrance. Barrier-free toilets are also available.
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 Hamburg
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: Stephansplatz
StadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
Night rate (18:00–06:00): maximum €11
24-hour rate: maximum €30
Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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