Tue, 21 Nov 2023 19:00

Charpentier: Médée / Magdalena Kožená / Sir Simon Rattle

Freiburger Barockorchester / Carolyn Sampson / Reinoud Van Mechelen

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Tickets from €76 €15 | 38 | 76 | 110 | 125

A drama of dragons and revenge

Thanks in particular to the revival of his dramatic operas, the name Marc-Antoine Charpentier is no longer known solely as the composer behind the »Eurovision« theme tune. However, his five-act »Médée«, first performed in 1693 and based on one of the great Greek legends, is nothing for the faint-hearted. This is a story where copious blood is spilled before the epoynmous heroine flies away on a dragon’s back.

The king’s daughter Medea, cheated on by her husband Jason, is played by Magdalena Kožená in one of her showcase roles, from which she coaxes gentle moments even amidst a heated frenzy of revenge.

With Carolyn Sampson as Créuse, her rival in love, and Reinoud Van Mechelen as Jason, she has two partners with Early Music music experience at her side, and they are accompanied by the Freiburg Baroque Orchestra, one of the top ensembles in the field of so-called historic performing practice. Simon Rattle and Magdalena Kožená also harmonise privately as a couple, which can’t help but contribute to the success of this glittering opera performance.

Performers

Freiburger Barockorchester

Staatsopernchor

Magdalena Kožená Médée

Luca Tittoto bass

Markéta Cukrová soprano

Carolyn Sampson Créuse

Angela Hicks Cléone

Reinoud Van Mechelen Jason

Gyula Orendt Oronte

conductor Sir Simon Rattle

Programme

Marc-Antoine Charpentier
Médée / Oper in einem Prolog und fünf Akten

Konzertante Aufführung in französischer Sprache

Pre-Concert Talk

with Esther Dubke (in German)

18:00 / Elbphilharmonie, Großer Saal

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Series

Opera in Concert

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Promoter: HamburgMusik

From the Mediatheque : Videos, Podcasts, Articles

Oper konzertant

Die Elbphilharmonie ist zwar kein Opernhaus – erstklassiges Musiktheater gibt es aber auch hier zu erleben. Ob in rein konzertanter Form oder als spannendes Hybridmodell. #singing

Magdalena Kožena – A portrait

From Baroque to Cole Porter, in breeches parts or as a bloodthirsty avenging goddess: the Czech mezzosoprano is a truly versatile artist. #singing #Portrait

This way!

A guide to the broad musical spectrum of the Elbphilharmonie and Laeiszhalle. #Tips

Mediatheque: What's going on here?

Streams, interviews, podcasts: A guide to the Elbphilharmonie's digital programme. #Highlights #Explained

Location : Elbphilharmonie
Großer Saal

Heart of the Elbphilharmonie: the Grand Hall seats 2,100 guests in the »vineyard« style. The stage for artists and orchestras is situated at the centre of the concert hall and is surrounded by terraced seating.

Arrival time

The Elbphilharmonie is a special building situated in a special place. Allow for plenty of time for getting to the Elbphilharmonie and the way to the concert area. We suggest visitors arrive at the Elbphilharmonie Plaza not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.

Concert tickets for the Grand and Recital Halls authorise a visit to the Plaza from two hours before the start of the concert or event. Visitors to the Kaistudios require a separate Plaza ticket to visit the Plaza.

Admission times:

Events without pre-concert talk:
Grand Hall Foyer: 60 minutes before the start of the event
Grand Hall: 30 minutes before the start of the event

Events with pre-concert talk:
Grand Hall Foyer: 90 minutes before the start of the event
Grand Hall: 15 minutes before the start of the talk

If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
Finding your seat

All visitors enter the building via the main entrance; access to the concert hall is via the »Plaza«, the viewing platform on the 8th floor of the Elbphilharmonie. The Plaza can be reached from the entrance area via the long escalator. Your tickets will be checked twice, at the access control in the entrance area and on the Plaza in front of the staircase to the Great Hall.

The hall entrances are on floors 12, 13, 15 and 16.
Cloakroom

The cloakrooms are located on the 11th floor. Bags of A3 size or larger, rucksacks and luggage must be handed in at the cloakroom (fee: € 2), jackets may be taken into the hall. For valuables and larger luggage, lockers are available on the ground floor – before the access control – in the corridor to the right of the escalator..

Wheeled walkers can be stored at the hall entrances. Prams can be left with the service personnel on the Plaza.
Toilet Facilities

The central toilet facility is located on the 13th floor of the Grand Hall Foyer. Further facilities can be found on floors 11, 12 and 15.

Fully accessible toilets are located on floors 12 (north side) and 13 (right-hand side of the large bar). Our front-of-house staff is happy to assist you in this regard.
Photography and video recordings

It is forbidden to take photographs or record videos during a concert or event. Video recordings and photography are permitted for private purposes only on the Plaza and in the foyers as well as before the start or following an event in the concert hall, provided that you respect the privacy of other visitors and do not interfere with regular business operations. Employees may not be photographed or filmed.

Photography, audio or video recordings of concerts and events are strictly prohibited.

Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie.
Getting here

Elbphilharmonie Hamburg
Platz der Deutschen Einheit
20457 Hamburg

The Elbphilharmonie can be easily reached by bus, underground, bicycle and ferry.

The nearest stops include:
Underground line U3: Baumwall
Underground line U4: Überseequartier
Bus 2, 111: Am Kaiserkai (Elbphilharmonie)
Bus 6: Auf dem Sande (Speicherstadt)
Ferry 72 (from Landungsbrücken pier): »Elbphilharmonie« pier
StadtRAD (bicycle sharing system) stations: U Baumwall (Elbphilharmonie) and Am Kaiserkai / Großer Grasbrook

Multistorey car park in the Elbphilharmonie (open 24/7, 435 parking spaces):
Please note that visitors to the Elbphilharmonie should use the entrance marked »Elbphilharmonie«. The entrance »Elbphilharmonie Hotel« is reserved for »The Westin Hamburg« hotel guests.

Please find more information about prices and advance booking of the discounted flat rate on this page: arrival by car
Toilet Facilities

Foyers

Toilet facilities are located in the foyer areas of each respective hall.

Grand Hall: The central toilet facility is located on the 13th floor of the Grand Hall Foyer. Further facilities can be found on floors 11, 12 and 15. Fully accessible toilets for persons with mobility disabilities are located on floors 12 and 13.

Recital Hall: Facilities for guests of the Recital Hall are located in the Recital Hall Foyer.

Kaistudio: Facilities for guests of the Kaistudio are located in the Kaistudio Foyer on the third floor.

Plaza

Free public toilets are located on the western tip of the Plaza, adjacent to the Elbphilharmonie Shop, and are accessible via stairs.

Main Entrance

Further toilets are located behind the ticket shop at the main entrance of the Elbphilharmonie.
Accessibility

All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.

Lifts to the Plaza are located in the tunnel on the right-hand side of the Tube (long escalator). From the Plaza, access to the Grand and Recital Hall foyers is via lifts, also located to the right. Please note: cloakrooms for visitors to the Grand Hall are only located on the 11th floor. From there, the upper floors can be accessed via further lifts.
Coughing, clapping, chatting – Tips for your concert visit

A concert at the Elbphilharmonie is a unique experience for both audience and artists. Guests and musicians alike rave about the precise acoustics in the Grand Hall. You can hear every note, even from the highest balcony.

Unfortunately, the opposite is also true: even presumably quiet noises from the audience are clearly audible in the entire hall. We therefore ask our visitors to take the following recommendations into consideration: Tips for your concert visit