Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
»Gravitationsfelder« – Festival Finale / Martha Argerich Festival
As a grand finale, the 2026 Martha Argerich Festival Hamburg at the Laeiszhalle will unfold a fascinating interplay of musical forces: »Gravitational Fields« brings together sonic universes that inspire, mirror, and energize one another. The program opens with the floating, ethereal Adagietto from Gustav Mahler’s Symphony No. 5 – a moment of pure intimacy. Srul Irvin Glick’s »The Klezmer’s Wedding« follows, a colorful celebration straddling tradition and virtuosity.
»Gravitations: Mahler 2.0« creates an almost hypnotic pull: In this jazz-inspired exploration of Gustav Mahler’s »Das Lied von der Erde«, Haggai Cohen-Milo and his band, performing under the name »The Song Of People,« trace the poetic roots of the symphonic song cycle, which extend all the way back to ancient China. Mahler’s soundscape enters into a dialogue with Chinese Kunqu opera, improvisation, jazz harmonies, rhythmic pulse, and spoken word. The vocal tradition of Chinese opera opens up another path back to the ancient poems that originally inspired Mahler. Together with Kunqu master Zhang Jun, a cross-genre experience emerges that blends music, voice, and performance.
For the finale, Beethoven is then performed twice more. Martha Argerich and Maxim Vengerov ignite a fireworks display of drama and depth with the legendary »Kreutzer Sonata« and the lyrical Sonata in G major. A festival finale full of energy, emotion, and artistic radiance that impressively demonstrates how music is always in motion.
Symphoniker Hamburg
Zhang Jun actor, vocals
Maxim Vengerov violin
Michael Guttman violin
Haggai Cohen-Milo double bass
Arto Mäkelä guitar
Mao Yulong flute
Pierre Génisson clarinet
Akane Sakai piano
Martha Argerich piano
& Band
»Gravitationsfelder«
Violinsonaten von Ludwig van Beethoven sowie Werke von Wolfgang Amadeus Mozart und Jazz inspiriert von Gustav Mahler
Srul Irving Glick
The Klezmer's Wedding
Gustav Mahler
Adagietto / from: Symphony No. 5 in C-sharp minor
– Interval –
Haggai Cohen-Milo
Gravitations: Mahler – The Song of People
– Interval –
Ludwig van Beethoven
Sonata for Violin and Piano in A major, Op. 47 »Kreutzer Sonata«
Sonata for Violin and Piano in G major, Op. 96
Promoter: Symphoniker Hamburg
Since 1908, the Laeiszhalle has been a meeting place for Hamburg's musical life. The neo-baroque Laeiszhalle Grand Hall accommodates over 2,000 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Facilities for ladies are located behind the cloakrooms on all floors. Facilities for gentlemen can be found on the landing between the floors, also located behind the cloakrooms.
A fully accessible toilet for persons with mobility disabilities is located behind the cloakroom on the ground floor (Parkett links).
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 Hamburg
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: Stephansplatz
StadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
24-hour rate: maximum €50
Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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