Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
»Setting out«
»Im Aufbruch« traces musical paths between movement, openness, and a new musical language. Mendelssohn’s Songs Without Words unfold a multitude of characters—from dialogic intimacy to shimmering drive. Weber’s Violin Sonata combines classical form with lively expressiveness, before Mendelssohn’s Piano Trio in C minor, Op. 66, reaches a heightened urgency and emotional breadth. In the second part, the horizon broadens: Dvořák’s Largo opens up a space of memory and longing, Schumann’s folk-inspired pieces deliberately seek closeness to simplicity, while Nadia Boulanger introduces a new, concentrated musical language. Beethoven’s »Gassenhauer Trio« concludes the evening with a movement that reconciles lightness and structure.
Mark Gothóni violin
Niklas Schmidt violoncello
Arto Noras violoncello
Michel Lethiec clarinet
Juhani Lagerspetz piano
Felix Mendelssohn Bartholdy
Lied ohne Worte in A-flat major, Op. 38/6 »Duetto«
Songs Without Words in A major, Op. 62/6 »Spring Song«
Lied ohne Worte g-Moll op. 19b/6 »Venetianisches Gondellied«
Lied ohne Worte C-Dur op. 67/4 »Spinnerlied«
Carl Maria von Weber
Sonate für Violine und Klavier C-Dur op. 10/6
Felix Mendelssohn Bartholdy
Piano Trio in C minor, Op. 66
– Interval –
Antonín Dvořák
Symphony No. 9 in E minor, Op. 95 »From the New World« / aus: Sinfonie Nr. 9 e-Moll op. 95 »Aus der Neuen Welt«
Robert Schumann
Five Pieces in Folk Style for Violoncello and Piano, Op. 102
Nadia Boulanger
Trois Pièces for Violoncello and Piano
Ludwig van Beethoven
Finale / aus: Klaviertrio B-Dur op. 11 »Gassenhauertrio«
Promoter: International Mendelssohn Festival c/o Niklas Schmidt
Chamber music series, lieder recitals, children's concerts and jazz events seem to be made for the Recital Hall of the Laeiszhalle, which can accommodate up to 640 guests. (Please note: The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.)
Strollers, prams, wheeled walkers, walking-stick umbrellas, bags sized A3 (42 cm x 30 cm) or above, sport bags, backpacks and luggage must be checked in at the cloakroom.
Jackets and handbags may be taken into the hall.
Facilities for guests of the Recital Hall are located to the right of the hall entrance. Barrier-free toilets are also available.
Laeiszhalle Hamburg
Johannes-Brahms-Platz
20355 Hamburg
The Laeiszhalle can be easily reached by bus, underground and bicycle.
The nearest stops include:
Underground line U2: Gänsemarkt / Messehallen
Underground line U1: Stephansplatz
Bus 3, X35, 112: Johannes-Brahms-Platz
Bus X3: U Gänsemarkt (Valentinskamp)
Bus 4, 5, 109: Stephansplatz
StadtRAD (public city bicycle) station: Sievekingplatz / Gorch-Fock-Wall
There are bicycle stands available in front of the Laeiszhalle.
Gänsemarkt multistorey car park: Dammtorwall / Welckerstrasse
Rate per hour or part thereof: €4.50
24-hour rate: maximum €50
Please note: There are several construction sites in the immediate vicinity of the Laeiszhalle which may make it difficult to get to the concert. Please therefore plan enough time for your journey to the concert.
The Laeiszhalle is a separate concert hall located three kilometres away from the Elbphilharmonie.
We suggest visitors arrive at the Laeiszhalle main entrance not later than 30 minutes before the start of the concert or event. Late seating is not guaranteed and latecomers may not be admitted to the concert hall.
The entrance of the Recital Hall is located on Gorch-Fock-Wall.
Admission times Grand Hall and Recital Hall:
Events without pre-concert talk:
Foyer: 60 minutes before the start of the event
Hall: 30 minutes before the start of the event
Events with pre-concert talk:
Foyer: 90 minutes before the start of the event
Hall: 15 minutes before the start of the talk
If a pre-concert talk is offered for this event, it is noted above under PROGRAMME.
All halls and spaces are accessible for visitors with disabilities. More information at www.elbphilharmonie.de/en/accessibility.
Photography is permitted at the Laeiszhalle for private purposes only. Please respect the privacy of other visitors and help ensure an undisturbed concert experience for all guests and artists. Employees and artists may not be photographed.
Photography, audio or video recordings of concerts and events are strictly prohibited.
Event-related video recordings or photographs for editorial or commercial purposes must be authorised by the Press Office of the Elbphilharmonie and Laeiszhalle.
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